The Triptych series of square-format photographs unfolds like a visual epic, each image a verse in a quietly profound poem. The consistent square frames serve as gentle pauses between each landscape, inviting viewers to slow down and absorb the subtle intricacies within. Far from being mere borders, these divisions create a rhythm, an ebb and flow that guides the eye across the collection, establishing a serene visual cadence.

The uniformity of the squares weaves the series together, forging a sense of unity despite the diversity of scenes. Each landscape, rendered in a quiet and non-traditional style, becomes a moment of contemplation: a mist-laden field, a solitary tree, an ambiguous horizon. The square format distills these moments, focusing attention on texture, light, and negative space, and allowing the understated beauty of each scene to emerge with clarity and grace.

The repetition of form is meditative, while the subtle variations between landscapes create a sense of progression and discovery. In this context, the square format is not a constraint but a canvas, one that transforms quiet landscapes into intimate, timeless works of art. The collection as a whole becomes a visual symphony, where stillness, space, and silence are given room to resonate.

When looking at the photos as a larger group they become like pixel in a single image, a flowing story all connected.